The Interview Magazine outtakes and interview are here! You can check out the full interview HERE at the site and see the HQ outtakes below — the cover has also been replaced with a larger version. Stay tuned for the BTS video and caps, courtesy of Interview.
Gallery Links:
March 2011: Interview
2011: Session 002 (Interview)
While the older generations might have their Audreys and their Marilyns, these days, the true litmus test of an actress’s broader youth-culture currency is not whether she’s commonly referred to by her first name only—it’s whether she has been deemed worthy of a moniker that’s an amalgam of her first and last names, like ScarJo and K-Stew and LiLo (not to mention K-Stew’s boyfriend, R-Patz). But collapsing one’s name isn’t a badge of approval so much as a mark of obsession. It doesn’t mean that you’re better at what you do than anyone else. It doesn’t mean that you’re unconditionally beloved. Rather, it signifies that you’ve become an object of fixation, which is usually preceded by some sort of professional watershed, or an association with an overwhelming cultural phenomenon, or because you’re frequently photographed looking shiny and heavy-lidded while straddling a banquet at Trousdale in a short skirt and stilettos, an unlit cigarette wedged backwards into the corner of your mouth.
So if you’ve seen the trailer for the new film Red Riding Hood—original Twilight (2008) director Catherine Hardwicke’s new gothic pastiche reimagining of the children’s fairy tale and other “My, what big teeth you have!” source material—then you understand why 25-year-old Amanda Seyfried is now perfectly positioned to become “AmSey” or “AmaSe” or, our personal favorite around the Interview offices, “MandaFried.” Appropriately, Red Riding Hood features a conspicuously Twilight-esque setup, set in a medieval village that has been engaged for decades in a mysterious arrangement with a homicidal entity known only as The Wolf (they bring the wolf periodic offerings of goats and other livestock; in exchange, he doesn’t kill anyone). The story is centered around Valerie (Seyfried), a young woman with a soft spot for red-hooded outerwear, who finds herself at the center of a love triangle, torn between her fiancée, Henry (Max Irons), and Peter (Shiloh Fernandez), her childhood best friend who has just returned to the village after a decade away. As Valerie and Peter discover their new, more adult feelings for one another, they plot to run away together. Simultaneously, The Wolf, whose identity remains elusive to the villagers, decides to break the détente, as Team Henry and Team Peter begin to form. Hyper-real, supernatural, grey-skied teen terror-love—the key elements of that rare clean-energy source that seems to fuel youth-culture mania in its most extreme forms—ensues.
Read the article + interview here.
The March issue is due to hit newsstands in New York and Los Angeles on February 22 and nationwide on March 1st — be sure to pick up a copy!